Document Type : Original Article
Authors
1 Candidate, Department of Persian Language and Literature, ka. C, Islamic Azad University, Karaj .Iran
2 Asistant Professor, Department of Persian Language and Literature, ka. C, Islamic Azad University, Karaj
3 Assistant Professor, Department of Persian Language and Literature, ka. C, Islamic Azad University, Karaj .Iran
Abstract
." According to this theory, a work of art is the result of the inseparable unity of intuition and expression; intuition as the immediate and living perception of truth, and expression as the necessary and spontaneous embodiment of that perception in a sensuous-symbolic form. This theoretical framework allows for the understanding of the linguistic and rhetorical elements of the text not as decorative tools, but as necessary manifestations of intuitive expression. The research method is descriptive-analytical and based on qualitative analysis of prominent narrative, allegorical, and metaphorical examples from the introduction to Fihi Ma Fihi. In this regard, stylistic and rhetorical components such as norm-breaking, the internal music of language, and imagery have been analyzed in direct relation to the moment of mystical perception and the process of artistic expression. The research findings show that Rumi, in the introduction to Fihi Ma Fihi, immediately and simultaneously embodies the moment of mystical intuition in language; in such a way that rhetorical elements are not mediators for conveying meaning, but rather the form of meaning's realization itself. Linguistic norm-breaking allows for a break from conceptual logic, and the music of language strengthens the emotional and intuitive unity of the text. The result is that Rumi's mystical prose is a prominent example of the realization of the "intuition-expression" theory within an Islamic cultural-mystical context, and demonstrates that beauty in this prose is not an end in itself, but a way to open the horizon of knowledge and create inner transformation in the audience
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